Mahon traveled to Somaliland in 2008 and 2009 to document its political, cultural, and social landscape. His second trip was on a grant from the Pulitzer Center on Crisis Reporting, and he teamed up with a writer and fixer to navigate the country. Ironically, Mahon says it was when he was traveling alone in 2008 that he was able to make the most meaningful images. He said he felt more free to move about the country, and had better intimate access into people's lives.
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